Rishikesh, Friday the 13th - Wednesday, Dec 18th

It rained all night in Delhi from Thursday, Dec 12 to the next morning, Friday the 13th—thunder and lightning all night long. Even Paramjeet called to make sure I was ready for the change of weather and my journey to Rishikesh the next day. Friday the 13th started off with an early morning train ride out of Delhi (6:45 am) to Haridwar, where I was picked up by a driver and chauffeured to the yoga retreat in Rishikesh. Upon arrival I had the shared lunch with the students who are doing their yoga teacher training certificates—the school offers both 200 hour and 300 hour teacher training. As I have gotten to know this group of people, it turns out there a good amount of Europeans, Indians, and Americans participating, and many are under 30 I would say—I do feel weird knowing that I stick out being older than most of them, but I think I pass for younger so it doesn’t matter. I will save my criticisms about the type of people who do these yoga training courses for another time, although I have been thinking a lot about a conversation I had with my friend Dave about these type of people 3 years ago in Taos…

I didn’t do any of the yoga activities for the rest of the day on Friday, and while I was just trying to adjust at the prospect of bathing out of a bucket and sleeping without a sheet in pretty cold conditions, I guess you could say the accommodations were a shock coming after the nice stay I had at Colonel’s Retreat in New Delhi. Three days later, I feel like a bougie bitch because I have one of the few single rooms apparently, and I am getting special treatment since all my excursions are squeezed into 5 days while the students string out their excursions over 4-7 weeks.

Saturday Dec. 14: I managed to by-pass the “cleansing” activity of vomiting and showed up for Hatha Yoga at 7:30 and followed the normal course up until lunch. The 300 hour course includes the following:

  • Mantra – 6:15 – 6:45

  • Pranayama – 6:45 – 7:30

  • Hatha Yoga – 7:30 – 9

  • Breakfast: 9 am

  • Yoga therapy – 9:45 – 10:45

  • Yoga Philosophy – 11 – 12 noon

  • Adjustment & Alignment – 12:30 – 1:10

  • Lunch – 1:15

  • Anatomy 3:30 – 4:30

  • Ashtanga Viniyasa Yoga 4:30 – 6 pm

  • Meditation 6:15 – 7:15 pm

  • Dinner 7:15 pm

From what I can tell, it’s pretty relaxed and some students do some classes and skip others depending on how they feel… After lunch, I met up with Vinayak’s best friend from High School, Vaibhav, who took me around town on a nice walk over Laxman Jhula, the iconic bridge of Rishikesh, although Vaibhav informed me that the bridge was deemed unsafe and closed recently, but you can’t stop tourists so it is now open for foot traffic but motor vehicles are barred. He also informed me that where I am staying and where the bridge is located is not really Rishikesh. Rishikesh is a town further town the river. We walked over the bridge, sat on the steps on the river bank for a while, had some snacks at Budha Café including an avocado shake and actually very good nachos (hey, everyone needs a break from Indian food sometimes), and then walked past Ram Jhula (the other bridge—Ram and Laxman are brothers in the mythological story) to the scene of one of the Ganga Aarti ceremonies, Parmarth. The ceremony was just ending but there was a lot of excitement and people were everywhere. We had a pretty deep conversation about Hinduism and whether or not it is a religion or an ethnic identity, philosophy, and system of stories creating a mythology, and he told me some of the Hindu tales, especially the ones having to do with the different heavens the gods inhabit (the heavens aren’t for people, they are for the gods). At the end of the night we got some more refreshment at the “German Bakery” just at the end of Laxman Jhula. By that point I was sore! The yoga and the walking were catching up with me.

Sunday, December 15: Sundays are free days for the students in the training course, which meant sunrise trip to Devi Kunjapuri Temple! We were supposed to assemble at 5:20 am, but we ran a bit behind… by the time the group made it down to the jeeps waiting for us, it was close to 5:45 or 6. The drive there was very long up a winding road, and once we got to the top, day was starting to break. Up we went 300 steps to the temple where light was showing from behind the scattered clouds. I was astounded to find out we had ascended a considerable altitude, and were now at over 5,000 feet – a mile high! The views were absolutely stunning at the sun continued to rise and break through the layers of clouds. In addition to the drumming and chanting taking place at the temple, there were screeching monkeys fighting over bananas and many other tourist groups milling about and taking selfies and group shots. After maybe a couple hours we came back down, in which process I was a bit selfish and clung to riding shotgun in the car, considering there were 4 squished in the backseat, and 4 more in the very back sitting over the tire wells. I guess I was in a strange mood at that point…

The sun was shining brightly when we returned and it felt good to sit out in a tank top on the terrace of the ashram. Then it was time for my massage! Which is part of the package of the yoga retreat. I have not really had many massages in my life so I didn’t really know what to expect. This guy really worked over my body, front and back, and thankfully he used my jojoba oil instead of his sesame oil that had some slight essential oils in it. Considering how tight and sore my hamstrings, calves, shoulders, back, biceps, and triceps were from the yoga and walking, he really worked them out hard. He made a comment about it actually, and gave me advice to take a nap afterwards to give my body time to heal but to continue on with the yoga tomorrow. When he massaged my knees it tickled so much and I burst out laughing!

I took his advice and napped for about an hour, got up and had a glorious shower and washed my hair. The shower doesn’t get very hot and I guess the main idea is to fill up a bucket, wash out of that, then use a smaller bucket with a handle to rinse off. I half way did it with the bucket. And since the water wasn’t getting very hot, and we have intermittent power outages due to all the construction going on here, I timed it so that I could boil three kettle-fulls of water to pour in the bucket, which helped a lot. After much preening prepping, I ventured out to the Beatles Café which I discovered has a great terrace that overlooks the Ganga and the sun was setting in a beautiful scene. I drank a turmeric latte that had big chunks of cinnamon bark in it and wrote in my journal. I must admit at this point I was not feeling so hot—not sick or ill, just physically very exhausted and tired and therefore emotionally vulnerable. It ended up being a good mindset for journaling, and the turmeric latte with the cinnamon really helped me feel better. After sitting for some time, I ventured back to the ashram. I had been informed I was the only one who would be eating in because the students have to eat outside on free days. It turned out Jai, one of the boys who works at the school, took me out to the most famous Indian restaurant in Rishikesh called Rajasthani, and I had the most amazing Indian food I have ever eaten, including a warm dessert made out of carrots (and the carrots here are red!). Then we took a short tour around the market and the Triveni Ghat, which is another location of the sunset ceremonies. I had a great ending to the day which really helped because I was feeling kinda down before going to dinner!

Monday, December 16, 2019: Today I followed a similar routine as I did on Saturday: Hatha Yoga 7:30 – 9, breakfast at 9, Yoga Therapy 10 – 11, Yoga Philosophy 11-12, Adjustment & Alignment 12 – 1 pm, and lunch at 1 pm. After lunch I got some dirty clothes together to take to a launderer nearby because I’d rather have them fresh pressed and ironed (especially the Indian kurtas I bought in Delhi) than wash them here at the yoga school and hang them out to dry. Good thing I gave myself 2 days lead time before I leave Rishikesh because the place I wanted to go to, that supposedly takes 24 hours, was closed (it opened later when I passed by after my walk—doh!) so I went to another place that said 2 days and 660 rupees which is more than the homestay in Delhi charged! Oh well, it’s still only $9.50 which is a good price considering I’d spend that much at a laundromat in San Francisco, and waste 3 hours of my life. Anyway, then I took a little stroll around town, had a latte and a blueberry tart at Café Divine on recommendation from Vaibhav (both delicious), and took some pictures. A strange fog has rolled in, completely transforming the way Rishikesh looks. I often wonder what tourists’ impressions are of San Francisco’s mercurial weather changes (fog, sunshine, wind, etc.) so I recognized myself in the flip-flopped position. I wrapped up my walk by trying a second ATM that was also out of cash. That’s ok—I have some money—apparently ATMs in India are notorious for running out of cash—and it was so delightful to return home to the yoga school after a 2 hour jaunt around town alone.

For all intents and purposes I am now regarding where I stay as a yoga school than an ashram and I have some pretty developed ideas about advice to others looking to do a yoga retreat here. Now that I know what I do, coming from my perspective as a “beginner” and a “tourist,” not a student wanting to be a yoga instructor (strange strange of young humans tbqh—everyone here except for maybe one person is younger than me, most being in their 20s), everything makes more sense. I am thankful for the help the travel agent gave me setting this up, but I plan to write a separate blog post later dispensing advice for anyone who wants to do similar, and isn’t hardcore. ALTHOUGH, I am happy to report today’s yoga session went much better than Saturday’s, and after about 25 minutes I was feeling it! Yes sore now, but still feeling capable in my body and feeling determined to follow through my New Year’s resolution to take up yoga again. Screw the rowing gym! It will be cheaper and better for me to spend money and energy on doing yoga 2-3 times a week. I have other New Year’s resolutions as well, all of which I listed and ruminated on at the Beatles Café yesterday, but I will keep those to myself for now.

Dinner is up in a couple minutes, and I am planning with the main yogi, Harmindra Ji, to do my sightseeing tomorrow after my morning of practice: the Ganga Aarti ceremony at Triveni Ghat. Wednesday my train leaves to go back to Delhi at 6:10 pm, and my driver is picking me up around 3:30. My laundry will be ready at 3:20 (talk about cutting it close! Hope it all works out but I am sure it will, even if I have to take wet/dirty clothes back with me). I will have time in the morning to do Hatha Yoga, shower, pack up, and checkout. Good thing I think I have just enough clothes to get me through till then.

Thursday my flight for Dharamshala leaves at 1:30 pm, and I should be at the airport at 11:30 am. Probably I will leave the hotel for the airport around 10 or 10:30. Namaste!

"Grand Tour": Full Day Sightseeing in Delhi, December 11, 2019

Let the record show! A humble list of places and proper names I visited today with my great tour guide Paramjeet Singhj!

  • Jama Masjid of Delhi (the third largest mosque in the world) (first location of locals taking photos with me)

  • Bicycle rickshaw tour of Old Delhim (that kid WORKED to move my fat ass and my tour guide’s, narrowly missing all make of moving objects in tiny winding streets with many a pothole)

  • Spice Market at Khari Baoli (chili spice so strong your throat burns)

  • Drove past the Red Fort several times and India Gate

  • Raj Ghat (memorial of Mahatma Gandhi) (2nd location of locals taking pictures with me)

  • Sri Bangla Sahib Gurudwara (largest Sikh temple in Delhi) (I made chapati in donation of the thousands of people they feed for free, and then ate free lunch with thousands; somehow my guide thought there was something about me that would be accepting of eating a simple meal of holy food)

  • Humayun’s Tomb & Isa Khan’s Tomb (where I met some very nice school children)

  • Shopping at Mughal Jewelry and Craft Emporium!! (there are no words for how much stuff I bought… and am so excited about!)

Came home to Facetime with my dad and his wife, discussed next parts of journey with my travel agent (so excited!), and had a nice dinner on the rooftop!!




Why Travel? New Delhi, December 10, 2019

Each time I step out in a foreign country by myself reaffirms the kernel of self-reliance I carry with me. If I can cross this busy-ass road in New Delhi,[1] I can teach this new daunting class at work. If I can attempt to get a sim card from Airtel after crossing the busy-ass road, I can handle my parents’ next health crisis.[2] If I can travel alone in India for more than two weeks, I can probably make it through the next five years of my life successfully—successfully meaning tending to my career, attempting a healthy lifestyle, continually maturing by being open to change and new people.

Travel isn’t about seeing something new as it is contrasting yourself to something new. The you that gets reflected back from the strange outer world is not the person reflected back in daily life at home. Necessarily.

Who needs such constant violent reminders of their capabilities? I don’t consciously. Not as strong as Belgium being purely an escape from family like it was for Jeremiah,[3] my urge to travel remains a built-in wanderlust that functions as a mild rejection from whence I came. All those years ago sitting in the high school gym as a freshman listening to some students tell their Belgian exchange stories, I conceived of Belgium as the most extreme option, the best option provided by my Christian high school to differentiate myself, and it would differentiate me more than going to punk shows, dressing in vintage clothes, dying my hair black, and accepting the freaks into my friend group. International travel appeared as a rejection of the social status quo. Yet in rejecting one’s origins, one subjects oneself to the violence of alienation. What can you live with? What can you live without? The more I have pushed myself to prove to myself I can do something that tests my limits,[4] the more I deprive myself from the known quantity and from stability. What a high! Delivering myself from the deprivation of comfort becomes a proxy for the biohacking substance abuse indulges in.[5]

Last time was cheating, except for Tenerife[6]  (you have to fly off the coast of Africa to reach Spain in that case): London, Belgium, the Netherlands: the easy places with the familiar train stations and communicable languages. The time before that: Prague with a group of library school students: still cheating. The familiarity of western Europe demurs the violence of thrashing away the chaff from my self-reliance kernel. The violent absence of a mirror: I have nothing to reflect myself back, yet the other day looking at the western section of the Richmond District reflected in my mom’s cabinet glass door, I recognized Anders’s up-high Instagram panoramas. The same view from his apartment a block away. Only through a backward reflection did I recognize my own San Francisco neighborhood.  

It’s 2:15 AM back home in California and everyone I’d want to talk to is asleep. Jet lag is catching up and I’m fighting my drowsiness by snacking and blinking and warming myself by the sun’s rays through the window. Early winter, Northern Indian. Light made golden through pollution and smoke falls lazily on the stone floor. The sun seems to be going down in the same direction it came up and I’m listening to the new Black Marble album which is like translating Amsterdam in fall of 2012 into the present moment in New Delhi because I listened to their first album over and over that fall in the lofted front room of Willem’s government-subsidized flat in Amsterdam’s Eastern Docklands. Another depressing time without lack of self-inflicted violence as a litmus test of stock: my constitution wasn’t strong enough and I returned. Yes the coroner confirmed those bones on the cliff were Jeremiah’s and I went back for the memorial service, which occurred to me as a cogent excuse to leave at the time, but it wasn’t inherently true. The truth only came when my surprise footsteps up the stairs of our apartment in San Francisco caused my mother such joy she cried. The best part of travel is coming home.

 


[1] https://twitter.com/bibliobebe/status/1204295827876990976

[2] My purpose in life seems to be carrying the cosmic weight of my parents’ wellbeing, because I am both an only child and an adult child of an alcoholic whose nobility is communicated through the female virtue of care giving, which I use here as a euphemism for codependence.

[3] Jeremiah, my high school lover who apparently died on a cliff in Big Tujunga Canyon sometime between 2010 and 2012, was part of our Belgian exchange program, class of 2001 group. He told me the only reason he went on the trip was to get away from his family for as long as possible. He listened to the same cassette tape of the Steve Miller Band on a Walkman every bus ride, and by some bad miracle was placed with a Belgian girl whose boyfriend supplied joints everyday.

[4] The most extreme example being flying to Argentina from New York City to hitch a ride across the Atlantic on an Italian cargo ship.

[5] Drinking alcohol, smoking tobacco, doing drugs: all of it manipulates the body’s natural functions to deliver some feeling not easily attained otherwise (if at all). Yoga’s purpose is to be comfortable enough in the body to transcend the limitations physicality places on spiritual pursuits. Aging gracefully is reconciling the rivalry between mind and body.

[6] Not sleeping all night laying on Charlotte and Lizzie’s tiny studio floor in Shoreditch; hustling through rush hour in London on the tube to Gatwick; switching airplane seats with a British woman taking her tween daughter on vacation to the Canary Islands; the sweet paranoia and simultaneous dulling and heightening of senses when the edible comes on in the shower of the hotel room; eating a whole dark chocolate bar for dinner on my 35th birthday.

Cass McCombs Love Field Point Reyes Station July 6, 2019

Drive through some forests and windy-ass roads wooded with Redwoods, park on the side of a road precariously close to a drainage ditch, watch Marin hippie chicks park vintage Mercedes coupes in the bushes. Chill through Hand Habits and Ramblin’ Jack Elliott just in time for the food truck to close and for the sun to go down and the wind pick up.

Good thing Cass played some oldies!! And good thing he played some newbies??

I didn’t catch who was on drums (a guy with long dark hair), but Noga Shefi continued from the European tour dates on bass, and Frank LoCrasto faithfully served on keyboards (I regretted to miss his opening set in support of his new solo album, Lost Dispatch!).

It was interesting to see the set-list tailored to the audience (there was definitely more of a deadhead vibe), and the set-list was a clear departure from the Tip of the Sphere supporting dates earlier this year. I think Cass knew there was going to be some old fans and some old idols in audience, and he gave us what we wanted.

Set-list

  • Rounder

  • Bum bum bum

  • Angel blood

  • I followed the river south to what

  • My master (yes!!!)

  • Laughter is the best Medicine

  • Prayer for another day (but sounds like it is mixed with something else, older, or dream girl?)

  • Unknown song (w female accompaniment) (one step forward two steps back) (second clip below)

  • Home on the range (more deadheaded out)

  • Burning of the temple

  • Big wheel

  • Unknown song - New song? (third clip below)

  • Sleeping Volcanoes
    Encore:

  • County line

  • Bury Mary!!!!

Help me identify these songs!

North Hollywood Monkey Boy

This post was originally written on April 20 and 21, 2019

It’s an overcast morning in North Hollywood, which affords us an extra couple hours in which to sleep in, despite the active gardeners around the house in this neighborhood. Some work men also seem to be preparing the street for re-pavement, which sets off Greg’s worry that he will not be able to pull out of the drive way. It’s all going to work out despite my hosts’ preoccupation with the day’s to-do list, which admittedly is jam-packed with strenuous tasks, like a full day’s work in a temporary management position at Griffith Observatory, personal assistant work, and the chores of grounds maintenance that home owners have to look forward to.

They always tell me I don’t understand: I’m on vacation. It’s true, even though it feels like a normal weekend. When I visit Los Angeles—or, more specifically, NELA/NE San Fernando Valley—it is a vacation despite the chores of family. Visiting family imbues an extra layer to being in a place away from one’s permanent home. But even on the topic of permanent home, I am a little off-balance. Do I dare regard San Francisco as permanent home when I have spent little time there in the past few months?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

24 hours later and it’s an overcast Easter morning in Highland Park. Christie and the gang—myself included—have seemed to weather a massive Deadhead festival in Echo Park, even though few of us are actual Deadhead fans. Christie and I only went because we were bemused by the VIP “Horne Section” tickets that afforded us a brief meeting with bassist Dan Horne and some other goodies. I told Christie it’s an anthropological experiment. And honestly, the LA Deadhead scene is cool in people and vibe—a straight-up throw back to the 70s—and a bit more racially diverse than the Bay Area scene—but I came to realize through the course of the evening that I am not a fan of the music of the Grateful Dead, I am not a fan of the jam style delivered by Circles Around the Sun, and the worst part of it all is seeing so many people rock out and not feeling it—while, on the other hand, at all the Cass McCombs concerts, I rocked out like that, and hardly anyone else rocked out.

We’re sitting in the back dining room discussing the pitfalls of cats eating house plants and tripping on them. Christie bought this house from the grandparents of a girl we went to High School with, and it’s an atmospheric morning with the back sliding door open, ushering in the cool, moist morning. Birds are chirping—this whole weekend everywhere in LA the birds are chirping gayly—and it’s so clearly SPRING.

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Cass McCombs The Fillmore San Francisco April 5, 2019

It was a goodbye before it even started

Some things are over before they begin, some things happen exactly as they’re supposed to, somethings have been this way and will be this way forever. That was last night at the Fillmore. I kept watching Cass in his white lounge jacket, bathed in the purple and blue tones of the lights, smoke curling through the white spotlights that cut through the jewel tones, thinking, “I’ve been here before, this is the way it is supposed to be.” Was it because it was at a venue as familiar as the Fillmore? Was it because of the signature glowing light boards at back of the stage? In some ways, it was my least favorite show; in all ways, it was exactly what I needed the show to be.

The Set and Setting

In addition to the two tickets I bought at the box office back in November when I attended the Phosphorescent show at the Fillmore, I won two tickets so I brought a bunch of friends along: Kai, Jackie, and Margaret, none of whom had even listened to Cass’s music before that day, if at all. It was really cool to have my peeps there but we were all on different wavelengths; the most I can hope is I can turn someone onto what has been life-giving for me. Sometimes it works, and sometime it doesn’t. Nonetheless my buddy from the night before, Patrick, got to the Fillmore at 7 pm and held it down consistently since his arrival. He and I were admittedly low energy from blowing all our chips the night before, but we rallied and the music gave us life.

While waiting for Sam Evian to come on, Kai, Jackie and I went to one of the poster rooms upstairs at the Fillmore, where I had somehow never been, and were treated to a singer with a guitar up there, and where I first spotted special guest Bongo Sidibe. At nine I knew it was time so we headed downstairs. I hung with Patrick at the front rail for Sam and co. to do their thing, again joined by Hannah Cohen, which was amazing and warm and heartfelt. It made me so happy to see those guys knock it out of the park for their last night on the tour, and for their first time at the Fillmore. I can’t wait to see what happens to them next, and to catch them on tour again.

There was again a long intermission between Sam Evian and Cass McCombs. I fell back to my group four rows from the front and got impatient, but excited. There was a lot going on and the crowd kept morphing.

Once Cass’s set started, it was the typical ambiance-producing Frank LoCrasto singularly on keyboards, and then Cass and band joined him. It made me reflect that I think they did this at every show I went to except in Santa Cruz. From there the set took on the shape of the sets I had come to expect, opening with “Sleeping Volcanoes,” “The Great Pixley Train Robbery,” and “Bum Bum Bum.” For this show, we had two special guests: Bongo Sidibe and Joel Robinow, the former of which made his appearance on “Bum.” Obviously missing was “Estrella,” but in addition to “Real Life,” they got to “Morning Star” again… after he played “Morning Star” in LA, I looked more closely at the lyrics, which are quite sexy, and so it was a special treat to hear it again.

Special Songs

The first special number of the night was “County Line,” on which it felt like Cass was drawing it out to be as excruciatingly slow as possible. I flashed-back to when he stated in an interview that he just wrote it to write a sad song. In the moments it was playing, the emphasis on down-tempo felt like it was urging us to straddle ecstasy and pain—he was bringing us to the brink of something. I hadn’t heard “County Line" on the tour at all yet, but I have heard it before, namely that fateful night in Eagle Rock in February 2011—which was before Wit’s End even came out. A couple songs later, after pumping us up with “Big Wheel,” Cass gave us one from the new album I had not heard on the tour at all, and had been missing: “Tying Up Loose Ends.” It was at this point I shoved my way back up to Patrick at the front rail to confirm with him that the song had not been played yet. I understand why such a summative song can’t go at the end of the concert, or at the end of the album for that matter, but it felt like this show was the one and only show that deserved “Tying Up Loose Ends” because it is the end of the tour and now it is time to transition to what’s next.

Painstakingly Slow

Above all, the show last night was painstakingly slow—it could have been me and my mindset, my tiredness, my aching body, and some of the weird vibes I was getting from the crowd—but unlike the past tour dates that I brought friends or family, all of whom deeply enjoyed it, my friends that came along last night were challenged to stay engaged. The band took their time tinkering between songs, setting up, getting things tuned in. Maybe they were trying to prolong this last night as well: Cass did mention he hoped to do us good, having earlier posted on Instagram and nostalgic post about the Fillmore, the tour’s highlights, and its close—was he getting perfectionist?

At the end of the show, the encore again was “Rancid Girl,” but I love the way Cass McCombs gets animated and articulates when singing that song so I wasn’t mad… Patrick rolled his eyes a little bit, “Really? Rancid Girl for every encore of the tour?” “Maybe they’ll do a second encore,” I responded. And they did! After “Rancid Girl” Cass kinda looked around, “Time for one more?” and we’re yelling hell yeah. One more it was… “Brighter!” So good. I thought I had heard “Brighter” at one of the other shows, but I can’t remember which ones and some of the setlists online are incomplete. Nonetheless everyone loves that song and it was the perfect positive note to send us out into the night, and to look to the next album I know he is already working on.

Setlist from Setlist.fm

  • Sleeping Volcanoes

  • The Great Pixley Train Robbery

  • Bum Bum Bum (with Bongo Sidibe)

  • Morning Star (with Bongo Sidibe)

  • Laughter Is the Best Medicine (with Bongo Sidibe)

  • Absentee

  • Real Life

  • County Line

  • American Canyon Sutra

  • Big Wheel (with Bongo Sidibe)

  • Tying Up Loose Ends

  • In a Chinese Alley

  • Cry

  • Not The Way

  • Rounder

    Encore:

  • Rancid Girl

  • Brighter!

Cass McCombs Moe's Alley Santa Cruz April 4, 2019

Moe’s Alley is a small, intimate venue in Santa Cruz made even more intimate with the sleepy town vibe of Commercial Street after dark on a weeknight. Santa Cruz may have been my favorite of all six shows I went to despite my feelings of extreme overstimulation leading up to the show. Fortunately the fellow concert goers were hella chill and friendly, the sets were on point, and both bands seemed comfortable and happy at their height. Thursday night was the zenith of the tour, even though it was the penultimate night. Sam Evian acknowledged as much during the opening set, saying something along the lines of goodbye one night early.

At the beginning of the night, a nice couple invited me to join them at their table, where we talked about music, family, life, etc., and I found out they were originally from Montana and will be relocating somewhere in the Pacific Northwest after their interim in California is complete. They were so nice and seemed fascinated by what I was doing. We seemed to click but I left them when Sam Evian started playing to head to the floor. Julie and Dave, if you’re reading this, get in touch with me! Sorry I didn’t have a chance to say goodbye at the end of the show.

That warmth primed me for a great night. Those of us standing closest to the stage were still a bit standoffish and Sam invited us to move closer. We all must have felt uncomfortable crowding the band because the front of the stage is literally within arms reach of peeps on stage. However that act secured my spot in the very front for the remainder of the show, made even more possible by the friendship I sparked with a fellow show goer that seemed over the top enthusiastic. During break between the two bands, we exchanged stories and I discovered this guy is probably an even bigger Cass McCombs fan than myself! “I’ve seen Cass play 14 times,” Patrick proudly proclaimed. You can bet we bro-ed down hardcore over our favorite albums, the setlist, etc. Patrick caught the Sacramento show, and was planning on going to San Francisco the following night. I informed him of my mini tag along on most of the west coast tour dates, which he obviously thought was hella sick. I held his spot while he got us drinks and he held my spot when I stepped out for a break. Toward the end of Cass’s set we both started doing the annoying thing where we yelled out the songs we wanted him to play. “Sister Spouse!!!” Patrick kept yelling, then “Nature!” for me. When Cass and the band first came on stage, we caught a glimpse of the setlist, and indeed “My Sister My Spouse” and “What Isn’t Nature” were both on the list, but at some point in the middle Patrick yelled out, “Sister Spouse!!” and Cass responded, “We cut that one,” and I was like, “He’s fucking with you, mofo,” but he wasn’t: they did indeed cut Sister Spouse and Nature, but they added “Dreams Come True Girl” instead, which is definitely one of the cult favorites. Patrick said that at the Sacramento show there was a very drunk girl who kept heckling them to play “Dreams Comes True Girl” and at some point Cass kinda loss his patience and shut her down, which Patrick indicated was a little uncomfortable. Interestingly, they saved “Sleeping Volcanoes” for the last song before the encore, which was again Rancid Girl, and before “Sleeping Volancoes” they did “Rounder,” which I grooved out hard on. You can actually see my dang head bobbing all around in this video.

The crowd was exceedingly chill and forgiving, while Patrick, myself, some hippie chick, and these other younger girlies were holding it down in front of the stage. Every once in while one of us would yell something that seemed to make Cass smile and I felt like he was at his best of being in his element as a “entertainer” in that venue on that night—the night of the new moon, an auspicious sign. Again, I barely took any photos, and part was in due to the way the crowd was not into their phones, reminiscent of Vancouver. My notes were remarkably lacking as well, mostly noting that Dan’s role on the bass is integral to Estrella, and “I got the bass on Chinese Medicine,” which was “fucking bliss.” I did manage to get a couple audio clips recorded. The first is of the opening music they played on the PA before Sam’s band started—it was the same music that was played before the show in LA which made me realize not only did Cass or someone on his team pick it, but it must have been played at all the venues before the show—I only arrived early enough in LA and Santa Cruz to catch it. The second thing is, I need to know what this strangely unsettling oriental music is!!

The second recording is of American Canyon Sutra as heard from the patio—I am not sure what moved me to make this recording but whoop here it is.

Patrick and I were both whipped into a frenzy by the end of the show. Once the band exited, I hoisted him onto the stage and he grabbed setlists for both of us!! Then we ended up hanging out by the merch booth gushing about the show, and thanks to Patrick’s outgoing personality we ended up talking to all the members of Sam Evian’s band except the second guitarist. What nice guys!! When I told Sam about all of their shows I had been to, his face lit up and he seemed to interested and pleased that someone would do something like that. After chatting with them all for a while, sending them good vibes for the show the next night, and shaking hands, we exchanged greetings with “See you tomorrow,” which didn’t end up happening, but in retrospect it was our way of hermetically sealing the connection forged that night.

After I got my stuff from the merch booths, we headed outside and even though Cass was on stage breaking down the equipment, I opted to continue on. Patrick tried me to get Cass to sign my album, but I was like, “He’s not into that stuff,” and Patrick had to concede that Cass refused him signing an album one time. My horoscope for that day, 4-4-19, said not to hold back when something was in reach. I am not sure if I held back or didn’t held back, but the evening was pretty perfect.

Cass McCombs Aladdin Theater Portland March 27, 2019

Last night can be summed up by one image: two moving bodies at the front of the stage surrounded by an otherwise stationary crowd. The crowd is surrounded by a bowl of theater seats. Folks in the balcony seats beam down from the very back. The Aladdin Theater is quite large, quite fun, and quite historic. I was continuously surprised to look over and behold Connor, the shy introvert who had basically never even listened to Cass McCombs, rocking out harder than CM’s “so-called fans” around us. (Connor is particularly good at throwing shade.)

Despite the night blurring by more so than in Vancouver or Seattle, it was epic and the band was on point again. Cass directed the new drummer subtly throughout. The set list was similar as Seattle, except they swapped out “What Isn’t Nature” for “My Sister My Spouse” in terms of the backfile. The only thing I could respond was “She’s not heavy, she’s my sister,” which fell upon deaf ears and mostly the song meant to me that family and a lover is indistinguishable, in the best of either scenario you get a spouse, in one scenario you get a powerful birthright if the chemistry and circumstances allow.

The set list continued with a couple more from Mangy Love—Chinese Alley and Cry, which were absolutely electrifying. The jam of Chinese Alley was such a cool thing to hear played live. In Vancouver I may have experienced the pinnacle of bliss on Laughter is the Best Medicine, but in Portland the song became an elixir, an anthem for Connor and I—a song to describe our joint flailing to cope with the pains of life and breaking out of our upbringings. Later, on the drum-heavy rendition of American Canyon Sutra, I was choked with emotion as the song transmuted into prayer for Jeremiah Peterson, my high school classmate who died in Big Tujunga Canyon sometime in 2011/2012 and whose soul I hope has transcended the Canyon. American Canyon Sutra is a prayer for transcending prisons both physical and metaphysical.

Rounder, again the penultimate song, was infinity. And again, for the encore, Sam Evian’s band came on stage for Rancid Girl.

Last night I thought a lot about the subjects of CM’s songs, those spoken from the point of view of a man, and those about women. Being a documented supporter of women’s rights, Cass McCombs is a protagonist for telling female stories. The cool thing is they are still usually non-mainstream stories that convey the complexity of identity and the personas we build for ourselves—he resists telling a woman’s story just for the sake of telling it, and isn’t afraid to present a woman who is “immoral” or unattractive in the traditional sense—I am thinking of Tourist Woman and Rancid Girl here. When it comes to the types of stories he tells about men, they are usually the type of characters we rarely hear from: the homeless, the convict, the fugitive. In I Followed the River South to What, the panhandler speaks in a captivating voice, and the judgement possessed by the person being addressed in the song becomes the proxy for the listener’s potential judgement. In this experience, as listeners we are tricked into receiving stories we may blowoff in real life. This is Cass’s gift of enlarging any one person’s world.

Why do any of us use art to express the human experience, and what significance does our contribution have? “Art fills the void”; “What makes you curious?”: these are slogans painted on murals in Portland, and when you’re searching for the answer like I am now, the truth in the slogan resonates. For me, following the West Coast tour dates, I am careful not to conflate fanaticism with authentic experience. Careful not to subjugate my personhood and contributions in the subterfuge of Cass’s celebrity. I have to live my own life with enough concentration to enact my credo.

We’re at the half way point: three shows down, three shows to go, for me at least—I’m going to miss Sacramento tomorrow and Santa Barabara next week, probably.

At the end of the concert last night, a fellow concert-goer approached Connor and I, and thanked us for dancing and keeping the energy going in the front. Our pleasure, nice to meet you…